Are you a TCK? A third culture kid (TCK) is “a person who has spent a significant part of his or her developmental years outside the parents’ culture” (Pollock, 1999). This video explores how TCKs feel about home and where they belong.
Josh Gibson Media – “I think the hardest part is not the memories themselves, but it’s searching for the box of memories and realising how far under the bed it is hidden, and how far away that world has become. But Sometimes it’s important to remember, even if it hurts. It’s learning to let go, whilst not forgetting. Its learning that there was a time for that, and there is now a time for this. Holding on to the memories of a place once called home, and knowing things have changed since. And when no one else can understand, because no one else has seen. Its remembering that God understands, God has seen, he was there. He’s collected those memories, the good ones and the tough. And that…that’s more than ok, that is enough.”
Josh Gibson is a London-based content creator with an eye for detail and a passion to create. Check him out at his website –https://joshgibsonmedia.com/
Let us speak of daytime dreams And those forbidden things That you dare not tell one another They will say it can’t be done But you’ve already won Put your shoulder to the wheel and start walking
If you can dream it up it’s yours to keep These walls are made of sand Wasted all my time being not enough And I hardly know where I have been Traveling on a second wind
Come and paint your name in frost When the sun comes all is lost As it slips and drips through your fingers Callous minds now don’t be shy You’re afraid and so am I Of the fire that burns just beneath us
If you can dream it up it’s yours to keep These walls are made of sand Wasted all my time being not enough And I hardly know where I have been Traveling on a second wind
Woah, woah Wasted all my time being not enough And I hardly know where I have been
Woah, woah Wasted all my time being not enough And I hardly know where I have been Traveling on a second wind
I’ve been sleeping on an airplane pillow all this while drowned in a white pillowcase folded over and set at the top of my mat and the impermanency has etched itself over top of every memory I have here I always knew I wasn’t meant to stay
But somehow that airplane pillow folded over and over itself until it was small enough to fit in my pocket, to go back the same way it arrived; and all my hopes got tiny too, squished and soft and transportable like maybe that could make up for the rest
But it didn’t and I left everything hopes and pillows and all the rest small behind me
When I was young, all I wanted was a normal childhood, but it was impossible. We were always moving homes and nothing in our life was permanent. Every move was a disruption, full of goodbyes and fears about an unknown future. But slowly I learned to embrace the chaos, because I realised that when I walked boldly towards the unknown and did my best, there was enough kindness in the world to catch me even when I tripped.
Through my art, I want to capture the strength of courage and kindness so anyone facing turmoil in their lives can draw strength from it. That’s why I wanted to share my art with you today.~ Jane Peng
“So this album means a lot to me. We all go through these tough times, our “nights in transit,” where we struggle to get somewhere during a precarious time in our respective lives.
As I’m becoming an adult, being that I’m 20 now, I get it. You don’t just wake up one day and say “okay, I’m an adult now,” and that’s that. No. It’s a phase. Just like transit systems; it takes time, but you’re moving forward. It’s all about the progress you make, and you’re rewarded for it. It’s all a part of growing up. For anyone who’s reading this and resonates with you, then this album is for you. You can make it through your night in transit. It may feel like it’s taking a while (I mean, have you ever tried to stay up all night? It drags ooooon for so long), but you’ll be rewarded for it in the end.
Stay strong, keep moving on. It’s worth it. I believe in you.”
You had spent your entire life in one home:
your mom’s run-down condo in sleepy Antrim, New Hampshire where you
grew up eating inauthentic General Tso’s chicken at Ginger House and
picking up sesame bagels with cream cheese at Audrey’s
on Wednesdays,
knowing
everything
about your town,
your home, which step
in your staircase creaked,
the exact shape of the burn
mark on the left side of your fridge.
The mahogany closet in your basement where you used to curl up at age
4 to play hide-and-seek with your three sisters, the bookshelf you broke
then repaired at age 10, the army green quilt you received from your
grandma at age 13 that covers the twinbed in your room, in your home, in
your town.
By the time I met you I had lived in over 25 places in
Korea England
Tanzania
South Africa
Kenya
Lithuania
Chile U.S.A.
Some homes, some houses,
never
knowing
the houses
I lived
I was packing unpacking,
readjusting new places.
thrill of leaving Cockroach House,
bittersweet goodbye Mango Tree House,
Jacaranda House, the comings goings
formings memories, never feeling
rootedness.
And maybe that’s why we had to end our relationship:
I was a home to you, but you were just a house to me.
By Melanie Han, an avid traveler and a poet who was born in Korea, grew up in East Africa, and is currently pursuing an MFA in Creative Writing in Boston. She has won awards from Boston in 100 Words and Lyric, and her poetry has appeared in several magazines and online publications, such as Fathom, Ruminate, and Among Worlds. During her free time, she can be found eating different ethnic foods or visiting new countries.
“The first year I came to this country, I swallowed down everything I had ever known and it slid down my throat into the darkness of secrets, or maybe just things nobody wanted to know. Either way I was empty, ready for the sunshine and breeze of this new world to wrap me up in a whirlwind strong enough to block out the rest. I should’ve known better, but somehow I still thought it would be that easy, that I would just keep my old secrets and build a new framework of identity and slide myself into it without losing too much. The first year I came to this country, I forgot everything I had ever learned and discovered a darkness of secrets inside of me big enough to block out the rest, but I lost too much.
In the end I found the pieces I needed, I dredged up my past and did not let it be forgotten. Instead I merged the old and the new together, weaving the different threads into a tangled mess of knots behind the scenes that nobody wanted to know about. I managed the chaos as carefully as walking on a black-night path except this time there was nobody to tell me how to do it with confidence and everybody was there to see when I tripped over the stump and landed in the thorns. Still, I wrapped my cloth around me like a bright mask or a new skin and when my new friends poked holes in it they discovered the whirling dances of a different country underneath, so they named me after my mix of colours and I blurred them all into something resembling stability. In the end I always knew that every story I told had holes and half-truths, but when I put them together they stacked into the pieces I needed to keep going so I held my chin high and taught myself confidence.
Sometimes, still, strangers ask questions. They see me and notice the blurred edges of my names, they catch glimpses of the holes in my skin and they wonder if I am really who they think I am. Mostly I reach into my jar of stories and I swirl the choices around and pick a truth to give them, something to cover up the things they don’t really want to know about. But sometimes I toss my head and laugh, unfurl the bright colours into a banner that declares – I am /never/ who you think I am – because I am not even who I think I am and I’m certainly not who I say I am and who am I anyway? Sometimes I spin in a dance they’ve never seen before and I tell them this too is me, sometimes I write them a poem full of foreign languages and can’t be bothered to interpret it. Sometimes, I am too much for them and I do not care because these are the pieces I need to make sure I don’t lose too much and the confusion of one stranger is a small price to pay for the gift of being complicated and confident.
You can’t catch me, I say, whirling away in a blur of secrets and stories colourful enough to block out the rest.
This year I met a stranger who tried. A stranger who chased after my trail of contradictions and picked up every half-truth I dropped along the way, came up to me with arms full of gathered pieces and told me – look I’ve found such a beautiful mess – as if the tangled knots of my underneath could ever be called beautiful. Messy, yes. I know my stories are messy, I know when my colours are spinning around me sometimes they stain the ground rainbow and I don’t know how to clean it up. But I held up the secrets I had hidden away in the darkness and discovered a mosaic of stained mess that even this country has chosen to name as art, and I wondered why it took a stranger to see that this too could be beautiful. Either way, I guess I was ready for the things nobody wanted to know to become the things I could choose to say, and I added them into my jar of stories imbued with every shred of confidence I have taught myself. After all, who else could show me how to wrap myself up in the sunshine and breeze of a new world without losing the pieces of my history that I needed, how to laugh at the edge of the night-dark and stand up to try again over and over until the blur of my stories swirled with confident colours? There was nobody there but me and the watching world.
So I built my secrets into a mosaic, turned the tapestry of my stories upside down and inside out to show the chaos, stacked my names into the holes of my half-truths and called it brave. Beautiful. A new kind of confident, a bold dance in the middle of the street with eyes flashing and feet stomping and hands clapping rhythms they learned somewhere far away and long ago, somewhere I cannot return but will not forget.
I’m not a line, I say these days. I’m a circle, looping back into myself like a repeating eight of infinity, an endless beautiful mess.”
This is how it starts A little girl, too young to understand, Told she is leaving behind an apartment For an adventure, and she is glad. Too glad to ask questions.
This is the middle, the Whole entire story really Dust and heat and foreign languages, Friends who look different and The little girl learns so many things But it all comes down to this Nothing ever stays the same, nothing Ever lasts forever.
This is how it ends A little girl, too old to forget Is told she is leaving behind her world For a new one and she is shattered. Too shattered to protest.
I guess this is the real Ending though When the little girl walks Onto the plane and flies away Back to the world of Apartments and becomes Someone new, someone different, Someone called Me.