Childhood Poems

Only In Sleep
by Sara Teasdale

Only in sleep I see their faces,
Children I played with when I was a child,
Louise comes back with her brown hair braided,
Annie with ringlets warm and wild.

Only in sleep Time is forgotten —
What may have come to them, who can know?
Yet we played last night as long ago,
And the doll-house stood at the turn of the stair.

The years had not sharpened their smooth round faces,
I met their eyes and found them mild —
Do they, too, dream of me, I wonder,
And for them am I too a child?

More poems from Sara Teasdale

The Stars Are Not The Same All Across The World
by Shiloh Phoenix

My first memories include
tile floors cool beneath my feet, fans
blowing endlessly while the crickets
sang in the dark and the world was quiet.
The stars were always out, there, always
brilliant and near and crowded in the sky, like
there were too many and they couldn’t hardly fit.

I grew up there, in that place of chickens
at dawn and sheep wandering grey in the dusk
and fires blowing ashes and smoke all around
the dust of the land, the dust of the people.
We were a large group of family, brilliant and
crowded into the village, like if one more mother
gave birth to one more baby maybe we would be
too many for the space. But somehow, we learned to
condense ourselves into tangles of bodies and there
was always room for one more. Just one more.

I lived years and years of the sun rising every morning
and water sloshing new into the bucket, dredged up
from the earth with the modern miracle-gift from the
tall yellow-haired men so long ago. Our parents told us
those stories, about how the white men gave us
life from the dust, how their machines brought pure water
right here, to our village, to our home. They did not tell us
about the chains that came before that, about how it was
only right the white men come back with life to give as
payment of their debt, about how their restitution could
never make up for the generations lost. No, our parents
lived small stories in a small world and it was enough
to teach us the ways of our grandfathers.

I heard, though, from older youth, about sleeping
in the slave castles next to the ocean, tasting
the salt of the air and the leftover tears, wearing the
disintegrated chains of other grandfathers and remembering
that if we forget that history we have lost something.

But then I grew up and followed the footsteps of those
slaves to the land of their sorrow, I stepped onto that blood-soil
and tried to make it a new home. Tried to redeem it.
In this new place, the stars are faded in the sky, lost in
the vastness of electricity and development and busy.
Even if we had time to stop and look up, we would see only
the reflection of our own lives staring back at us.

Other TCK childhood poems

Dar es Salaam Delicacies

Story of a Little Girl

Third Culture Conversations

Third Culture Conversations is a talk show about third culture kids: people who are raised in a culture that is different than the one their parents grew up in. We will explore identity, rejecting and embracing parts of our culture, and the struggle to fit in when you don’t feel like you belong. Hosted by Esteban Gast, Leslie Ambriz, and Manolo Lopez, on the SoulPancake channel.

TCKs Talk Home and Belonging

“TCKs talk about home and belonging”

Are you a TCK? A third culture kid (TCK) is “a person who has spent a significant part of his or her developmental years outside the parents’ culture” (Pollock, 1999). This video explores how TCKs feel about home and where they belong.

Find more videos like this on Ali Jackson’s YouTube channel

Find more videos about TCKs here

Josh Gibson Media – A Different Time

Josh Gibson Media – “I think the hardest part is not the memories themselves, but it’s searching for the box of memories and realising how far under the bed it is hidden, and how far away that world has become. But Sometimes it’s important to remember, even if it hurts. It’s learning to let go, whilst not forgetting. Its learning that there was a time for that, and there is now a time for this. Holding on to the memories of a place once called home, and knowing things have changed since. And when no one else can understand, because no one else has seen. Its remembering that God understands, God has seen, he was there. He’s collected those memories, the good ones and the tough. And that…that’s more than ok, that is enough.”

Josh Gibson is a London-based content creator with an eye for detail and a passion to create. Check him out at his website –https://joshgibsonmedia.com/

Home – a song by TCK artist maddie rien

HOME LYRICS

Boxed up in cars
All memories of ours
are on the go
Like footprints in snow

Autumn leaves change
But I stay the same
Green highways signs
Just wave goodbye

I’m tired of living on the road
I’m tired of leaving what I know

When will I find somewhere to call home
Is it a place or someone I don’t know
Where will I get my last set of keys
Tell me to stay without
without always leaving

My hearts content lies
Left in cement
It was permanent
Or so you said

Same stars, same sky
Same moon at night
But its different
‘Cause you’re not in it.

I’m tired of leaving what I know
I’m tired but now I gotta go

When will I find somewhere to call home
Is it a place or someone I don’t know
Where will I get my last set of keys
Tell me to stay without
without always leaving

Wishing on shooting stars
To know, to stay, to be just where you are
Am I close or are you far
‘Cause miles are like galaxies apart

Right now I have no where to call home
It may be a place or someone I hope
These will not be my last set of keys
Wish I could stay but now
Now I’m leaving


Click here to listen to this song on a streaming service

Follow Maddie on Instagram

Listen to more TCK music

tapestry colored knots

Complicated and Confident – Spoken Word

Complicated and Confident

by Ghanaperu

“The first year I came to this country, I swallowed down everything I had ever known and it slid down my throat into the darkness of secrets, or maybe just things nobody wanted to know. Either way I was empty, ready for the sunshine and breeze of this new world to wrap me up in a whirlwind strong enough to block out the rest. I should’ve known better, but somehow I still thought it would be that easy, that I would just keep my old secrets and build a new framework of identity and slide myself into it without losing too much. The first year I came to this country, I forgot everything I had ever learned and discovered a darkness of secrets inside of me big enough to block out the rest, but I lost too much.

In the end I found the pieces I needed, I dredged up my past and did not let it be forgotten. Instead I merged the old and the new together, weaving the different threads into a tangled mess of knots behind the scenes that nobody wanted to know about. I managed the chaos as carefully as walking on a black-night path except this time there was nobody to tell me how to do it with confidence and everybody was there to see when I tripped over the stump and landed in the thorns. Still, I wrapped my cloth around me like a bright mask or a new skin and when my new friends poked holes in it they discovered the whirling dances of a different country underneath, so they named me after my mix of colours and I blurred them all into something resembling stability. In the end I always knew that every story I told had holes and half-truths, but when I put them together they stacked into the pieces I needed to keep going so I held my chin high and taught myself confidence.

Sometimes, still, strangers ask questions. They see me and notice the blurred edges of my names, they catch glimpses of the holes in my skin and they wonder if I am really who they think I am. Mostly I reach into my jar of stories and I swirl the choices around and pick a truth to give them, something to cover up the things they don’t really want to know about. But sometimes I toss my head and laugh, unfurl the bright colours into a banner that declares – I am /never/ who you think I am – because I am not even who I think I am and I’m certainly not who I say I am and who am I anyway? Sometimes I spin in a dance they’ve never seen before and I tell them this too is me, sometimes I write them a poem full of foreign languages and can’t be bothered to interpret it. Sometimes, I am too much for them and I do not care because these are the pieces I need to make sure I don’t lose too much and the confusion of one stranger is a small price to pay for the gift of being complicated and confident.

You can’t catch me, I say, whirling away in a blur of secrets and stories colourful enough to block out the rest.

This year I met a stranger who tried. A stranger who chased after my trail of contradictions and picked up every half-truth I dropped along the way, came up to me with arms full of gathered pieces and told me – look I’ve found such a beautiful mess – as if the tangled knots of my underneath could ever be called beautiful. Messy, yes. I know my stories are messy, I know when my colours are spinning around me sometimes they stain the ground rainbow and I don’t know how to clean it up. But I held up the secrets I had hidden away in the darkness and discovered a mosaic of stained mess that even this country has chosen to name as art, and I wondered why it took a stranger to see that this too could be beautiful. Either way, I guess I was ready for the things nobody wanted to know to become the things I could choose to say, and I added them into my jar of stories imbued with every shred of confidence I have taught myself. After all, who else could show me how to wrap myself up in the sunshine and breeze of a new world without losing the pieces of my history that I needed, how to laugh at the edge of the night-dark and stand up to try again over and over until the blur of my stories swirled with confident colours? There was nobody there but me and the watching world.

So I built my secrets into a mosaic, turned the tapestry of my stories upside down and inside out to show the chaos, stacked my names into the holes of my half-truths and called it brave. Beautiful. A new kind of confident, a bold dance in the middle of the street with eyes flashing and feet stomping and hands clapping rhythms they learned somewhere far away and long ago, somewhere I cannot return but will not forget.

I’m not a line, I say these days. I’m a circle, looping back into myself like a repeating eight of infinity, an endless beautiful mess.”

Watch on YouTube here

Background audio is Turning Page by Sleeping At Last – listen here

More spoken word poetry from Ghanaperu

Story of a Little Girl

This is how it starts
A little girl, too young to understand,
Told she is leaving behind an apartment
For an adventure, and she is glad.
Too glad to ask questions.

This is the middle, the
Whole entire story really
Dust and heat and foreign languages,
Friends who look different and
The little girl learns so many things
But it all comes down to this
Nothing ever stays the same, nothing
Ever lasts forever.

This is how it ends
A little girl, too old to forget
Is told she is leaving behind her world
For a new one and she is shattered.
Too shattered to protest.

I guess this is the real
Ending though
When the little girl walks
Onto the plane and flies away
Back to the world of
Apartments and becomes
Someone new, someone different,
Someone called
Me.

By Ghanaperu

Other poems by Ghanaperu:
You’re Invited, You Know
TCK Syndrome

Follow Ghanaperu on AllPoetry

I Don’t Recognise Myself Anymore

The purity of the air after rainfall –
The sacred smell of sandalwood
Wafting down from the hilltop shrines
Reminds me of something.
My deadweight soul, flapping with airline tags,
Lies gasping, dusted with the residue of long years
Lettered ‘Fragile’ and ‘This Way Up’
Entreating those that handle it to be careful:
To see it safely on its way to wherever it’s going.
Coat-hangers strewn on the unmade bed,
The unwashed floor, the weary bags,
The cluttered tabletops
Which will perhaps retain traces of my having been here
When I am gone:
A few fingerprints maybe,
Scattered fibres from my clothes
Or crumbs of what I’ve eaten.
Otherwise I’ll be on my way
Like the breath in my lungs
And the black blood rushing from my hidden heart
And the voice of Winter groaning in the pipes
And the hissing gas of the stove
And all the unsaid words and murdered thoughts
Bleeding in the sink of my mind
Incognito down the street, keys clinking in my pocket
With the tumbling leaves and the frantic ghost of the city
To a new address.
And maybe I’ll see you again,
But we both know it won’t be the same.
I’ll twiddle my new keys and feel my chains
As though I’m my own jailer.
Because I don’t recognise myself anymore.

Author Unknown (if you have any information regarding the author please contact us using the form)

Do Not Pity – TCK Poem

Do Not Pity
by Katrina P. Zemke

Do not pity me
And moan over how far away I am.
I already know.
I’m already aware.
And your sympathy sounds like nothing
But words.

Do not claim to understand
That you know what I’m going through
Because you left your child
At a camp five hundred miles away
For a whole summer.

Do not tell me how you cried
The day you left your child
At college in another state.
My parents left me
And flew away
A thousand
Five thousand
Ten thousand
Miles.

I thank you for your prayers.
I thank you for your concern.
But understand:
You cannot know;
You do not know;
Until you have truly lived
This life.

I don’t cry tears.
I don’t mourn all day.
I came to terms
With the reality of my life
Many years ago;
And I am not heartless
Because of that.

Don’t ask me when I will see
My parents again.
If I asked you that question,
Would you really be able to answer?
Maybe I can answer,
But even if I can’t,
Do not respond,
“Oh, that must be so hard.”

This is my life.
This is all I know.
So next time you see me
And ask about my family:
Do not think I am heartless.
Do not claim to understand.
Do not pity.

tck documentary

A TCK Documentary – Alaska to Africa

A TCK documentary exploring the world of seven siblings in Ghana, as they adjust to a new culture and wrestle with the questions about home and belonging that all third culture kids can relate to.

Featuring the Gelatt family, missionaries through ABWE. Filmed in November of 2018. No profit is being made from this film.

Soundtrack created by Spencer Parkhurst – check him out on SoundCloud here.

Filmed and edited by Hannah Mathews – check her blog out here.

Watch more documentaries about TCKs here.